Introduction
Title page
Acknowledgements
0. About this course
0.1 The ToDI system
0.2 User interface
0.3 Symbols and conventions
0.3.1 Some examples
0.4 Phrasing, accentuation and melody
0.5 Sameness and difference
0.5.1 Pitch tracks vs auditory impression
0.6 Before we really begin...
Transcription of melody
1. Falling contours
1.1 H*L pitch accent
1.2 Pre-nuclear H*L
1.3 H*L close to H*L
1.4 Final incomplete fall
1.5 Final H% after H*L
1.6 Downstepped H*
1.7 Downstep with spreading
1.8 Pre-nuclear H*LH
EXERCISE 1D
H*L, downstep, boundary tones
2. Pauses
Transcription of pauses
3. Initial boundary tones
3.1 Low preheads
3.2 High preheads
3.3 Falling preheads
EXERCISE 3B
H*L,downstep, preheads, boundary tones
4. Level contours
4.1 Types of level contours
4.1.1 Level tone
4.1.2 Vocative chant
4.1.3 'Scathing' intonation
EXERCISE 4B
locate targets, H* and L*
5. Rising contours
5.1 Types of rises
5.2 High rise
5.3 Low rises
5.3.1 Low rises with H%
5.3.2 Low rises without H%
5.3.3 Pre-nuclear L*H
5.3.4 Low low rise
5.4 Some rises as markers of non-final IP
5.5 Pre-nuclear singleton H* and L*
5.5.1 Singleton H*
5.5.2 Singleton L*
6. Delayed peaks
Prefix L* or "delay"
EXERCISE 6
rising and delayed pitch accents
7. Appended constructions
7.0 Appended constructions
7.1 Tagged constructions
7.2 Unaccented IPs
8. Exercises All Contours